Файл:Militarism, gorilla art, 22 Sammlung Eybl USA. H. R. Hopps (1869–1937). Destroy this mad brute (Vernichte dieses verrückte Vieh). 1917. 82 x 59 cm. (Slg.Nr. 3262) (cropped).jpg

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Deutsch: USA. H. R. Hopps (1869–1937). Destroy this mad brute (Vernichte dieses verrückte Vieh). 1917. 82 x 59 cm. (Slg.Nr. 3262) Die Darstellung auf dem Plakat (wie auch im Film der 1930er Jahre) geht auf die Figur des menschenraubenden Affen im Werk des französischen Malers und Bildhauers Gustave Doré zurück. Als Riesenaffe mit Pickelhaube dargestellt wird dem Deutschen die Menschlichkeit schlechthin abgesprochen. In der einen Hand hält er eine mit „Kultur“ bezeichnete blutüberströmte Keule, eine Anspielung auf das „Manifest der 93“, einer Erklärung von 93 bedeutenden Intellektuellen und Künstlern des Deutschen Reiches zugunsten des Krieges. Die entführte und umklammerte Frau sollte das von den Deutschen besetzte neutrale Belgien darstellen. Nachdem deutsche U-Boote tatsächlich die amerikanische Küste erreicht hatten, wurde auch das völlig unrealistische aber wirkungsvolle Angstszenario eine Invasion der USA durch die deutsche Armee aufgebaut.
English: USA. H. R. Hopps (1869-1937). Destroy this Mad Brute (Destroy this crazy brute). 1917. 82 x 59 cm. (Slg.Nr. 3262) The illustration on the poster (as well as in the film of 1930) goes back to the figure of the people consuming monkeys in the work of the French painter and sculptor Gustave Doré. The German humanity is represented as a giant ape with Pickelhaube absolutely denied. In one hand he holds a with "Culture" Marked bloody mace, an allusion to the "Manifesto of the 93", a statement of 93 major intellectuals and artists of the German Empire in favor of the war. The kidnapped woman, clutching should represent the German-occupied neutral Belgium. After German submarines had actually reached American shores, and the unrealistic fear but effective scenario was set up a US invasion by the German army.
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Булак Sammlung Eybl, Plakatmuseum Wien
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A. Erhardt

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Eybl, Plakatmuseum Wien/Wikimedia Commons / 
Eybl, Plakatmuseum Wien/Wikimedia Commons
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